Why perform for others?

ShiroKuro Maybe it's like why we do anything for other people, we hope it makes them happy, and we feel good doing something for others?

Yes, and the second part rings true--gift giving often does as much, or more, for the gift-giver than for the giftee. It makes us feel good giving of our own free will.

Thinking about this some more since I posted yesterday, it occurs to me that performing in front of others also satisfies the showman in us (I'm thinking in very general terms and not about anybody here!!). We like our moment in the spotlight and a little bit of praise. This is definitely not to say it's showing off, but rather that most people do appreciate having their egos stroked now and then. For those who don't perform, they get it in other ways.

ShiroKuro, how strong is your need to perform? My teacher performs a lot, in some small things and in some major undertakings. I suspect there is a level of compulsion present in her need to perform. Injury has forced her to cut back some and it is very hard on her.

Pallas “His hands were like butterflies.” Many thanks for that. You have made my week.

I've been thinking about this a lot since the thread started. I've had some long-winded responses in mind, but I think I can distill it down to the following.

1) For whatever nature and/or nurture reasons, my brain is wired to respond to music in an intensely positive way.
2) Listening to music also evokes a strong desire not only to listen to it but also to create it myself.
3) HOWEVER, I do not enjoy the music itself as much when I am playing alone than when I am listening to it. I shift from audience mode to performer mode, which is mentally very different for me, and not as positive.
4) HOWEVER, when I perform for others, those two seem to collapse together in a good way, and I enjoy the music even more than simply listening to it. For whatever personal psychological reasons, the presence of an audience allows me to inhabit the audience mode even while in performer mode, and then some.

That's about it.

Hi ShiroKuro

For me performing for others is secondary to performing with others. The first is a lovely benefit of the second.

Apart from classical lessons and practice, I play in a pop/rock band, a big band and attend a sort of jam night. At the moment the big band is not gigging, it's purely a rehearsal band (though that might change next year). The jam night does one gig a quarter, and although we rehearse weekly the pop/rock band only does 5 -10 gigs a year. Most recently last Thursday, which was a lot of fun. So for all that playing (about 90 rehearsals a year) I get to do about 12 gigs a year.

I was someone who was completely frustrated as a youngster. I could only play what was written in the sheet music, and I wasn't great at reading that in those days. The thrill of playing in a band is something that at one point in my life I never dreamed I'd achieve. It was only when I was about 19 that I found out how to break my reliance on sheet music.

I could quite happily, continue doing what I'm doing without the gigs. It's the interaction with other musicians that is more special to me. I've made life long friends from music, and they are people I've played with, not played for.

Cheers

Hi ShiroKuro

I've only ever played with another Piano/keyboard player once. A chap I used to work with (over 40 years ago) played Piano and we had a few jams together. At the jam night I attend we sometimes have 2 keyboards, but that's so that we can realise an arrangement, so one keyboard might be doing a horn part, and the other Piano.

I've never played classical music with anyone else, and I don't think I want to. For one thing the standard of playing required to play in a classical situation (of whatever type) seems to be so much higher, and secondly I consider it a solo discipline. I think the simple truth is I'm a better non-classical player.

Cheers

Simonb, your reply is where my mind was going, too.

Performing for others is a step away from playing for one's self. Performing with others is a step in the same direction but continuing onward from performing for others. Almost seems like a logical step. Step 1, then step 2, and then (if you take it), step 3.

Step 2 engages an audience that may only be listening. Step 3 engages other players that will interact with your playing by playing along with you in some way, perhaps even causing you to play something differently because of what they're doing.

It's one reason I enjoy playing in the jazz trio I'm in and also playing in the jazz jam I've been going to for a while now. Though I sometimes do something solo, I like the trio, and for at least some of that, I'm driving. For the jazz jam, other than a solo that I might take during a piece, I am not driving at all, more like trying to keep up. LOL!! There is a challenge there of "sink or swim", which is a little scary at first but then you realize that everybody else is in the same boat as you are and you just start to have fun. The unspoken goal of every jazz jam is a "train wreck", which means "pushing to failure". Good way to grow if your attitude is right.

Hi Bellyman

I've also played in assorted Jazz groups over the decades. A quintet, which only ever did a few gigs and many times in Piano, Vibes & bass trio.

Here's a video from almost 20 years of a quartet I was in, playing a Jazz standard. Inevitably a wedding gig! I still play with the drummer now. Sadly the Vibes player (Terry) passed away 10 years ago. He's probably the best amateur musician I ever played with.

I may have posted this before, apologies to anyone if it's a duplicate.

Cheers

Hi ShiroKuro

That's very kind - thanks.

In relation to your original question there are two things worth saying about that video:

1. Almost nobody was listening to us!
2. I didn't know the gig was being filmed on a camcorder. If I'd have known I'm sure I'd have played much worse. As it was I was just having fun and going for it..... almost like Bellyman said earlier, pushing to the limit.

Cheers

Simonb, you might have shared that video before, but I enjoyed it more this time!

A Night in Tunisia is one of the tunes that I saw in the Real Book that never seemed to make much sense to me... until they got it out at Jazz Jam one night. I'm not a good enough reader to just pick it up and run with it like I've been playin' it for 20 years so I struggled a bit. But since, I've heard several people take it apart and go over just what it is which isn't nearly as complicated as what Dizzy Gillespie or Charlie Parker make it sound when I listen to them. And now, it makes a lot more sense to me, not just "noise" anymore. It's changed from a tune I didn't really care much for to now, a snappy little tune.

Yup, I can see you havin' fun! The ol' leg gets involved. LOL!! Thankfully, it's only one at a time. LOL!! (I find myself doin' the leg thing from time to time, too, but don't always find it helpful, sometimes it'll be distracting. Funny how that works.)

ShiroKuro So step 2 is playing for others, and step 3 is playing with others?

That's interesting because I would put it in the reverse order. Step 1 is playing alone, step 2 is playing with others, step 3 is playing for others (whether you're playing on your own or with others in that step 3 part).

You're not wrong. If that's the logical progression for you, that's great!

I'm thinking in particular of a song most would probably recognize. "Linus and Lucy". It's a popular tune heard around Christmas time made famous by "Charlie Brown Christmas", the cartoon. It is deceptive. It sounds quite simple. And it's not awfully difficult to play fairly decently solo. You (not you specifically, but perhaps (m)any of us) could probably play it nearly perfectly solo and most people would think you did a splendid job. But... add in a drummer and maybe a bass player and the game changes considerably. Timing is quite tricky. Question is, can you play it WITH them? Takes it to a whole new level.

That's where my mind was going when I ordered things as I did. It may be 100% different for someone else. And maybe some of you are at a level where Linus and Lucy is primitive and easy, any day, with any competent drummer. My hat is off to you if that's you. Didn't say I can't, but at least for me, it's not as easy as fallin' off a log.