Performer: Arnold Lau, from the Philippines. Been playing for 1.5 years.
Piece: "A Lincoln Tribute" by Carol Matz
Comment Policy: Critical Comments

Source of music: 1st movement from the "Our Nation's Capital" recital suite (Alfred Music).
Instrument: Yamaha P71
Recording method: MIDI via Pianoteq
Additional info: Alfred has a recital suite (at least 3 movements, sometimes 4) for every single U.S. state (and DC), as well as a few dozen others for multi-state regions in the U.S. and some other countries, which I think is pretty cool. The tempo is a bit slower than indicated but I think this made more sense for a tribute.

    Performer: thepianoplayer416. A long time user of Piano World Forum.
    Piece: Air in D minor by Henry Purcell
    Comment Policy: General Comments only: Polite, supportive, suggestions for improvement.

    Source of music: Online download.
    Instrument: Yamaha C3 grand
    Recording method: Canon M-200 camera
    Additional info: I was out of town and came home recently. Came across an interesting short piece and decided to do a recording.

      Performer: BicBic, currently in Utah. I played throughout school and intermittently since, current restart of piano practice is about 10 months.
      Piece: Shostakovich - Prelude in B flat minor - No.16 from Op.34
      Comment Policy: Critical Comments: Anything goes!

      Source of music: Sheet music - Peters Edition of Op.34.
      Instrument: Digital Yamaha P-140
      Recording method: Line out to audacity, merged with iphone video using Cyberlink.
      Additional info: This is my first Shostakovich piece. I got this book of preludes after my friend was telling me about playing Shosta 5 in her community orchestra, and I felt like I wanted to play some Shostakovich too. I got this book of preludes as I believe it is overall a little less difficult than the more well known (I think) preludes + fugues. While learning this (and still now sometimes) I added in octave scales into the 5 mins of scales I do at the start of each practice session, to help with the two LH octave bits, which was the parts of this piece I found most tricky.

        Performer: Nightowl, UK. Started playing November 2023.
        Piece: Plaisir D'Amour by Giovanni Martini
        Comment Policy: General comments, polite, supportive suggestions for improvement.

        Source of music: Alfred's AIO Course Book 2.
        Instrument: Donner DDP80+
        Recording method: Acer Chromebook
        Additional info: This is my first attempt at recording a piece on my digital piano, which was purchased a couple of months ago. The piece was quite a challenge for me and there are a couple of hesitations, but after umpteen attempts to get a half decent recording I felt this was likely to be the best I could manage at this stage. The tempo is a bit slow and the left hand is too heavy in places, but I'm just pleased I can play this lovely piece without any major gaffes. It's a piece I will keep working on as a labour of love.

        "Don't let's ask for the moon, we have the stars." (Final line from Now,Voyager, 1942)

          Performer: bSharp from California. Playing for about 8 1/2 years now.
          Piece: High Heels - Ludovico Einaudi
          Comment Policy: General Comments

          Source of music: Sheet Music from Essential Einaudi.
          Instrument: Yamaha C3X Grand Piano
          Recording method: Recorded video with my Samsung S23, and the audio with my laptop, Audacity and a Blue Snowball microphone. Video was rendered with Cyberlink PowerDirector.
          Additional info: I hadn't played this piece in a long time, but came back quickly. Thought I would share this for the 1st PT recital! There are a couple of errors in the middle, I brainfaded and forget what I was doing, so you can think of them as added ornaments 😃 If you follow the sheet music you'll see there are things I missed. I played this from memory.

            Performer: WieWaldi from Bavaria (near Germany) with 21/2 years of active practicing.
            Piece: Rainbow Connection - Kermit the Frog
            Comment Policy: Critical Comments: Anything goes!

            Source of music: Sheet music (musescore).
            Instrument: Kawai CN-29
            Recording method: Headphone-out -> DI-box -> Sony A6300 camera.
            Additional info: My avatar is Rowlf the Dog from the Muppet Show. What else fits more than playing a tribute to his beloved show master Kermit the Frog?

            "Rainbow Connection" is a song from the 1979 film The Muppet Movie, with music and lyrics written by Paul Williams and Kenneth Ascher. The song was performed by Jim Henson – as Kermit the Frog – in the film. "Rainbow Connection" reached No. 25 on the Billboard Hot 100 in November 1979, with the song remaining in the Top 40 for seven weeks in total. Williams and Ascher received an Academy Award nomination for Best Original Song at the 52nd Academy Awards.

              Performer: SalmonJack from Hood River, OR, USA. Playing sporadically over fifty-two years. Picking up the pace these days.
              Piece: Alia by SalmonJack
              Comment Policy: Critical Comments: Anything goes!

              Source of music: My own composition.
              Instrument: Kawai MP9000
              Recording method: Kawai MP9000, Logic Pro, MacBook Air.
              Additional info: I suppose that when writing your own stuff a piece never stops being a work in progress. Alia is based on two disparate concepts: the melodic minor key and a character in my novel. As a character, Alia progressed out of a crushing domestic life into adventure sailing and then to an idyllic setting in the Pacific Northwest. Her introductory chapter is here.

              Musically, Alia is a start, a shell, a baseline (not bass line though that's how it begins) that can someday become something much larger. That will have to wait until my routine summer activities give way to our usual winter snowscape.

              The melodic minor scale is the natural minor with a raised 6th and 7th but only when ascending. It reverts to the natural minor when descending. Theoretically, this exists to help create smooth melodic lines in the minor scale but I don't think about it in those terms. I just want it to sound OK.

                Performer: Calavera in Belgium. Experience: about 10 years as a child and teenager, and about 5 years since my comeback as an adult.
                Piece: Chrono Cross - Scars of Time by Yasunori Mitsuda
                Comment Policy: Critical Comments: Anything goes!

                Source of music: Sheet music
                Instrument: Yamaha P-125
                Recording method: Garritan CFX
                Additional info: Album: Chrono Cross Original Soundtrack. Piano arrangement by okeiko.

                I submitted this game's ending song (Radical Dreamers) a couple of years ago, and now I'm delighted to share its equally excellent opening theme. I'm not sure how I feel about scars of time, but this tune has most certainly been etched in my memory since my early teens. In spite (or because) of the piece's simple structure, I've always found it a joy to listen to. Its effectiveness is a real testament to Mitsuda's ability to come up with strong, riveting melodies.

                To be honest, while I enjoy playing the theme on the piano, I think only orchestral performances can really do it justice and reveal its 'true' beauty. Mitsuda's composition is incredibly rich and vibrant, and even the original version from 1999 sounded great despite the constraints of the sampling technology he had to make do with. That's why I love it when game composers shoot for the moon regardless of technical challenges: it ensures that their music remains relevant no matter how primitive the original tunes may sound. If it allows the Calaveras of this world to enjoy timeless musical gems, leaving all those scars in the fabric of time might be justified after all.

                  Performer: rsl12 (USA). Piano has been a hobby for decades. First half of my piano life was focused on classical, but now I'm into jazz.
                  Piece: Always Chew Your Food by Trout Fishing in America (Keith Grimwood and Ezra Idlet) with additional lyrics by rsl12 (inspired by Bellyman and maybe a little by Pallas )
                  Comment Policy: Critical Comments: Anything goes!

                  Source of music: Improvised accompaniment, improvised solo.
                  Recording method: I recently upgraded from using my phone to my new Blue Yeti microphone! I just put it on top of my piano and aimed it at my mouth as best as I could.
                  Additional info: To motivate my daughter to keep practicing flute over the summer, we arranged for a two-family end-of-summer recital, where everyone from our families was to participate. She and her friend did a duet, and I did this song as a voice-guitar duet with the friend's mother on guitar. For this Pianotell recital, I added a piano accompaniment and few additional lyrics based on feedback from some of you. As you may know, I've been working on voice for a few months now, and I think I'm getting better! I'm unfortunately on the tail end of a cold with a lingering cough and sniffles. Sorry for the gross body noises!

                  Trout Fishing in America is a Houston-based duo that makes fun folk songs and also quite a few children's albums. Here is their version of the song, if you're interested.

                    Performer: TC3. I noodled on piano here and there when I was younger, then decided to take it up more seriously around 2012, but I only started practicing semi-regularly a few years later ...
                    Piece: St. James Infirmary arr. by Gerald Martin
                    Comment Policy: Constructive criticism welcome — I'll take all the help I can get!

                    Source of music: The Joy of Boogie and Blues, arranged by Gerald Martin.
                    Instrument: Roland GP609
                    Recording method: cell phone with Zoom H4n Pro
                    Additional info: A nice little arrangement; I especially like the abstract approach to the last several measures. The sheet music suggests a slow tempo and the example recording is played at about 60 bpm, but that seemed a little slow for me so I bumped it up a tad. It could still use some work but it's getting there.


                    Enthusiastic but mediocre amateur.

                      Performer: Iternabe, North Carolina, USA. Self learning for 7 months.
                      Piece: The Trout by Franz Schubert, arranged by Faber.
                      Comment Policy: Critical Comments: Anything goes!

                      Source of music: Faber Adult Piano Adventures Classics Book 1
                      Instrument: Roland FP-30X, Pianoteq Bosendorfer 280VC
                      Recording method: OBS Studio, Elgato Facecam (side), Logitech C930e (top), audio recorded digitally from Pianoteq
                      Additional info: I've completed Faber APA Book 1. Currently I am learning the pieces in the companion Classics book 1.

                        Performer: ShiroKuro, US Midwest, 25 years.
                        Piece: Nuvole Bianche by Ludovico Einaudi
                        Comment Policy: Polite Comments only: no suggestions for improvement please.

                        Source of music: Sheet music
                        Instrument: Yamaha C2 grand piano
                        Recording method: my iPhone (sorry!!)
                        Additional info: This was meant to be a practice recording, but I don't have anything else to share and I don't want to miss the first PT recital!! Please use headphones or good speakers, and even then, I'm pretty sure the sound quality is awful! (it sounds horrible on my laptop speakers, sorry!)

                          Performer: lilypad from Vancouver, WA. Lessons when young. Returned to piano at retirement in 2004.
                          Piece: Manhattan 1928 by N. Faber
                          Comment Policy: General Comments

                          Source of music: Piano Adventures Level 4 Performance Book
                          Instrument: Yamaha CLP-635 digital piano
                          Recording method: USB from digital piano to laptop; Audacity to normalize & convert to MP3.
                          Additional info: Ha Ha! I made 6 recordings. First one was just practice. Ended up using my second one. As I attempted to get better recordings, they got progressively worse. I'm sure many of you have had the same thing happen.

                            Performer: TheBoringPianist in Seattle, WA. Played piano from childhood, quit partway through college and stopped for a decade, resumed 5-6 years ago.
                            Piece: Prélude, Fugue et Variation, Op. 18 by César Franck (arr. Harold Bauer)
                            Comment Policy: Critical Comments: Anything goes!

                            Source of music: IMSLP
                            Instrument: Steinway Model D
                            Recording method: Zoom Q2n-4K video recorder
                            Additional info: I started learning this about 6-7 weeks ago when I made a last-minute decision to enter the WIPAC piano competition. Someone else posted asking about the piece in another thread so I figured I'd upload my recording from the finals. It's not my best showing but making it to the finals already exceeded my expectations so I shouldn't complain too much.

                            "You're a smart kid. But your playing is terribly dull."

                              Performer: Rob
                              Piece: Sunday Morning by Rob
                              Comment Policy: Critical Comments: Anything goes!

                              Source of music: My own composition.
                              Instrument: Kawai MP5
                              Recording method: VST in cubase.
                              Additional info: Whenever I play, I see images in my head. The image here, is an AI generated version of what was in my mind's eye, at the time.

                                Performer: diretonic, 75 years on and off.
                                Piece: Borrowed Blues by "a Cat" (to quote Dr John) and played by Dr John
                                Comment Policy: Anything goes

                                Source of music: By ear from the original.
                                Instrument: Layered vst pianos
                                Recording method: Cubase
                                Additional info: I've long been a fan of Dr John whose sound stems in part from his laid- back heavy handedness but there's something else which I can't pin down and probably never will. I picked this out from an informal chat (it's on YT) between Clint Eastwood and Dr John who's talking about his life and music interspersed with snatches of playing. This was one of them, in a style he seemed to credit another New Orleans pianist (hard to decipher exactly what he was saying but I think it was "a Cat" which would be typical of the milieu.) It's very short, a single run of an 8 bar blues. I spent a couple of days trying to get a feel for the style and busk a bridge of sorts but it was a lost cause and only detracted from the flavour of the original, so I've left it as-is, added a 4 bar intro and played a repeat so as to pad it out a bit. Sorry it's only a last-minute morsel, but I'll try and set aside more time for the next recital....

                                  Performer: @Josephine from the Netherlands... With a little bit of Rubens from Canada!
                                  Piece: Waltz Op.70 no.2 by Fryderyk Chopin
                                  Comment Policy: Critical Comments: Anything goes!

                                  Source of music: The Elise Gavard Edition from the Henle book
                                  Instrument: Josephine's: Kawai CN29. Rubens': Kawai ES920
                                  Recording method: USB recording
                                  Additional info: And now for something completely different.

                                  Truth be told, this is mostly a performance by Josephine, with some last minute help from Rubens😅.

                                  So a few months ago Josephine and I (Rubens) started pm'ing on PW and she asked me for some piano advice. Next thing I know, she became my first online student😄. She's been learning this Chopin waltz and made quick progress, and recorded the first part of the piece beautifully. But then she started panicking. She was procrastinating again as usual (maybe because she is addicted to deadlines?) so she didn't learn the B part. And this is when Rubens the knight in plastic armor stepped out of his fake ivory tower and recorded his playing of the B part (from 1:07 to 1:51) to complete the track. The parts were then glued together with some Audacity magic and voila! A baby monster was born😅. It's not perfectly seamless, no. The tempi are not even the same! Musically we are different too. She has a warm, intimate musicality whereas I'm way too impetuoso.

                                  But I think she plays fantastically considering she only has 5 years of experience whereas I have about 8 times that, and yet the end product is still seamless enough. So let's give my student a round of applause while I step back into my toy tower.

                                  Oh and don't mind the picture, it's just part of an inside joke between teacher and student.

                                    Performer: Serge88
                                    Piece: Misty from Errol Garner
                                    Comment Policy: Critical Comments: Anything goes!

                                    Source of music: Sheet music
                                    Instrument: Yamaha P-525
                                    Recording method: two webcam and OBS Studio

                                      Performer: twocats from Portland, Oregon - playing from childhood with some breaks, but am currently very serious about chamber music
                                      Piece: "Rustle of Spring" by Christian Sinding
                                      Comment Policy: Critical Comments: Anything goes!

                                      Source: Peters Edition from IMSLP
                                      Instrument: 1999 Bösendorfer 225
                                      Recording method: Zoom Q8 Handy Video Recorder (wav file merged with video file for better audio quality, sounds best on headphones)
                                      Additional info: I decided to participate in the recital at the last minute and didn't have much time to prepare, but I had played this as a kid and then revived it earlier this year for a piano playing event. I always thought it was a lovely piece. 🙂

                                        Performer: Navindra Umanee in the USA. On and off piano lessons since September 2019.
                                        Piece: Bluebird by Alexis Ffrench
                                        Comment Policy: Critical Comments: Anything goes!

                                        Source of music: Alexis Ffrench - The Sheet Music Collection
                                        Instrument: Yamaha GC1 in Mauritius
                                        Recording method: Improvised with random devices like my phone and tablet.
                                        Additional info: Wow! Where to start?

                                        This recording was not only completely impromptu but a major deviation from all my prior recording plans. Normally, I’d carefully plan my shoot and I’d have all my gear at hand but I didn’t have any such luxury here. You might not be able to tell, but there was a ton going around me while I recorded. There was a business event, loud music, chattering, and many noises.

                                        Simply, I’d never imagined I’m come across a grand piano in Mauritius, let alone one I could touch and play, and I had a blast with it! I got claps, one person asked me if it was a piece by Ludovico Einaudi, another person recorded me (you see Juliano walk into the frame at one point), and the day after, the manager stopped by our table with a friendly word.

                                        It was an exhilarating experience similar to the one @BicBic had recently!