Most people prefer to ignore the fact that all UT are simply failed attempts at achieving a true equal temperament. Physics is hard and bending physics fundamentals (pun intended) into a system that defies a simple approach results in various temperaments, some of which are close to ET, some are not.
When Bach wrote his Well Tempered Clavier he made a monumental statement, saying that each key signature can and should be played on the same instrument. Not to say that WTC was ever intended to be performed on one night, the intention is clear that any selection of P&Fs are to play on the same instrument with the same tuning.
Some concert technicians have fine tuned their approach to laying a temperament and adopting a progressive stretch individual to the inharmonicity of the piano in question. And I know a few technicians who will tell you that a temperament provided by TuneLab - with a knowledgeable initial calibration of a piano's characteristics - will sound beautiful e.g. in slowly decreasing beats of major thirds in a downward m achromatic scale.
The beauty in a tuning isn't in the temperament, it's in the unisons anyway. And you can only tune beautiful unisons when you can hear high harmonic partials i.e. playing F3 and actually listening to tuning A5/A6 beatless.
This is where any software so far cannot compete with a well trained tuner's ear. In term of temperament: Not so much.