ShiroKuro
no no, the difficult one is Storm, Resilience, it requires a wide hand but it is fixed with small variation movements. I always recommend not to be afraid of flats, you just have to get used to it, the most difficult is the key C flat which is always treacherous. But play with the chords. Always simplify, you don't have to play everything in the score. In difficult pieces, play the harmony with the closed chord, which is used and melody in right hand, as if you have to play it in triad, it doesn't matter. And when it comes out, you add elements that are avoided. But there's no difficulty that can destroy the illusion of playing a piece. The difficult thing is to play a piece without illusion.