Performer: hebele. About one year of of self learning.
Piece: Minuet in G by Christian Petzold. Because it would be a shame if a recital is missing a beginner playing Minuet in G.
Comment Policy: Critical Comments: Anything goes!

Source of music: Random pdf found in the net with strange annotations. I've made it mine by adding more.
Instrument: Roland FP10 with Pianoteq.
Recording method: Pianoteq midi and crappy smartphone front camera. With horrible audio-video sync. Sorry!
Additional info: Lots of bad decisions made here. I've made it unnecessarily hard by trying to learn trills/mordents. Then changed the suggested fingering to play the trills easier. Did not follow a good practice discipline so it took way longer than it should. Now I hope I've passed this rite of passage even if with some scars.

    Performer: Pathbreaker
    Piece: Op. 116 No. 6, Intermezzo in E major - Brahms
    Comment Policy: Critical Comments: Anything goes!

    Source of music: sheet music
    Instrument: Yamaha N1X, VI Labs Modern D
    Recording method: OBS Studio
    Additional info:

      Performer: Calavera from Belgium. Experience: about 10 years as a child and teenager, and about 6 years since my comeback as an adult.
      Piece: Antipyretic by Hitoshi Sakimoto
      Comment Policy: Critical Comments: Anything goes!

      Source of music: Sheet music
      Instrument: Yamaha P-125
      Recording method: Garritan CFX
      Additional info: Album: Final Fantasy Tactics Original Soundtrack. Arrangement by Sebastian Maurel (with some tweaks).
      Here's another fun and brisk battle theme. As learning more demanding pieces tends to take me a million years these days due to my other commitments, I've begun to appreciate and treasure shorter gems even more than I used to. I'm quite fond of this theme's whimsical title too!

        Performer: WieWaldi / Bavaria (near Germany), 3 years of active practicing
        Piece: Frisco Blues by Christian Fuchs
        Comment Policy: Critical Comments: Anything goes!

        Source of music: sheet music
        Instrument: Kawai CN-29 (Upright Piano sample)
        Recording method: Headphone-jack to PC (OBS-Studio)
        Additional info: I totally forgot about the recitals, until Navindra posted a wake-up call 20 days ago. Thank god, I have the Eight Easy Blues Pieces sheet music collection to get a beginner's title working. I added a 5th note to the bass line and, it worked out well.

          • Sam

          • Post #18

          Performer: Sam from Georgia USA - playing about 16 years now.
          Piece: Schumann op 15-6 - "An Important Event" from the Scenes from Childhood
          Comment Policy: Polite and Supportive comments only - thanks!

          Instrument: Yamaha C3
          Additional info: One of my local piano groups had a challenge to play something from Schumann's "Scenes from Childhood" and this was my entry. It is under tempo and has a few mistakes, but that is nothing new for me! Schumann's metronome marking is insane - who can play that fast? Not me. Anyway, playing it too fast takes away from the mock seriousness of the whole thing. That's my story and I am sticking to it!

          Yes, there are two grand pianos in my music room right now - I am helping a friend who had to move into assisted living and sell her car, house, and piano - very sad. So the extra piano is only temporary until it sells.

            Performer: SalmonJack from Hood River, OR, USA. Playing sporadically since 1973. Picking up the pace these days.
            Piece: Just Mist by SalmonJack
            Comment Policy: Critical Comments: Anything goes!

            Source of music: My own composition.
            Instrument: Kawai MP9000
            Recording method: Kawai MP9000, Logic Pro, MacBook Air
            Additional info: So that when the time came to post this, I kept notes on the progress of my composition so I could explain, maybe to myself only, how it evolved. Looking at those notes, dating clear back to November, I have no idea what they mean. This composition tells no story, has no background and is nothing more than something, hopefully pleasant, to listen to. Also, mysteriously, I played it much better a month ago when I wasn't recording. The more I played, the worse I played. I had to cut off the process before it sounded like Alice in Chains playing Mozart.

            There are two videos for the same recording. This one is for anyone interested in following the music and its chords and structure. The other, is to look at pretty things while listening.

            http://paganusersmanual.com/
            https://salmonjack.com/

              • Rob

              • Post #20
              • Edited

              Performer: Rob
              Piece: 'Pembrokeshire Promise.' by Rob
              Comment Policy: Anything goes


              Source of music: ... Own Composition
              Instrument: ... Kawai ES920 (as MIDI controller)
              Recording method: ... Native instruments The Giant VST in Cubase
              Additional info: This solo piano version, was originally recorded several years ago, as a mutitrack, using various internal piano and orchestral intrument sounds on my then new, kawai MP5, when I was feeling particularly homesick for my native Wales, UK. (The opening notes are a nod to the last line of the National anthem)

                Performer: BicBic in Utah
                Piece: Mazurka Op.6 No.2 by Chopin
                Comment Policy: Any and all!

                Source of music: Sheet Music - Peters Edition
                Instrument: Digital Yamaha P-140
                Recording method: Line out to audacity, iphone video, combined in Lightworks (my latest video editing thing I'm trying)
                Additional info: I find the Chopin mazurkas so fun! This is an early one. I believe there is a quote of some musical 'peer' of Chopin dismissing him as just a simple composer of Polish folk music, I googled but couldn't find it though. I like that the Mazurkas are fairly 'simple' in form and style, not necessarily to play though! This is the first Mazurka I've played since my piano restart just over a year ago, but there are a handful I played during my covid piano restart. I'd like to do a couple more this year too.

                  Performer: sgisela, took lessons through high school, resumed playing in 2020.
                  Piece: Danza de los ñáñigos, Ernesto Lecuona
                  Comment Policy: General comments, polite comments only

                  Source of music: sheet music
                  Instrument: Estonia L210
                  Recording method: iPhone
                  Additional info: This is from Lecuona’s suite of Danzas afrocubanas. I worked on La comparsa previously. I debated whether to try working on this at all because there’s a section with a bunch of ninths in the LH, and my hands can’t play all ninths comfortably. I ended up breaking up the ones that were problems for me, and I think that worked out fine. Ñáñigos refers to members of a fraternal order in Cuba; its other name is Abakua. The order was founded in Cuba in the 1830s, with roots in West African religious traditions. While many of the rituals of the Abakua are private, they also participate in public events, most notably festivities on Three Kings’ Day/Epiphany. (Above is summarized from several online sources).

                  I don’t usually memorize pieces, but most of this one got memorized almost automatically. There are a few hiccups, particularly toward the end, but overall I’m reasonably happy with this.

                    Performer: Gooseberry from Poland. Experience: 3 ½ years
                    Piece: Nights in White Satin by The Moody Blues
                    Comment Policy: General comments, polite, supportive suggestions for improvement

                    Source of music: composite arrangement from various sources + bits by ear
                    Instrument: Yamaha CLP 735
                    Recording method: iphone
                    Additional info: Learning to play this song was a sentimental journey.

                      Performer: bSharp - California - About 9 years now
                      Piece: Journey - Open Arms - Arranged by Dan Coates
                      Comment Policy: General Comments only: Polite, supportive, suggestions for improvement.

                      Source of music: Sheet Music
                      Instrument: Yamaha C3X
                      Recording method: Pianoteq - Bösendorfer 280VC - Warm Preset
                      Additional info: I wasn't planning to submit this. I'm working on Shallow by Lady Gaga and was thinking I'd submit it, but didn't get a chance to record in time. However, it's near ready and I think I'll record it in the next couple of weeks so that I'm ready for the next recital well ahead of time.

                      I decided to try something different this time with the recording. I'm playing on a Yamaha C3X with a Yamaha Wireless MD-BT01 bluetooth midi adapter connected to Enspire. Pianoteq is running on an Ipad and is taking MIDI from the MD-BT01. The instrument pack used is Bösendorfer 280VC - Warm Preset. Does it sound like a Bösendorfer? Probably not - it sounds like Pianoteq 😃

                        Performer: I’m Greta99 from Germany.
                        Piece: "Berceuse", Op. 23 No. 1 by Mel Bonis
                        Comment Policy: Anything goes.

                        Source of music: Music sheet
                        Instrument: Kawai CA-58
                        Recording method: Digital piano
                        Additional info: Mel Bonis (Mélanie Hélène Bonis) (1858 - 1937) was a prolific French composer. She composed over 300 pieces, including works for piano, organ, chamber music, mélodies, choral music, and orchestral works. “Berceuse” was composed in 1895 and dedicated to Mel Bonis' daughter Jeanne.

                          Performer: ShiroKuro, Midwest, 25 years
                          Piece: Wind by Brian Crain
                          Comment Policy: Polite Comments only: no suggestions for improvement please.

                          Source of music: sheet music purchased from the composer
                          Instrument: Yamaha C2 grand piano
                          Recording method: iPhone, with table-stand
                          Additional info: I have been working on this piece for a while, but just this week, my teacher recommended that I change the ending, and I had only practiced the new ending for about two days when I made the recording, so I'm pretty pleased with how it came out. Also, I have this new stand for my iPhone, which is easy to use and gives you the "hand view" I was hoping for, but I would rather have a horizontal view on the video... Maybe I'll figure out how to do that next time.
                          Anyway, I hope you like it, and thanks for listening! 🙂

                            Performer: Navindra Umanee in the USA. On and off piano lessons since September 2019.
                            Piece: Over The Rainbow by Harold Arlen & Yip Harburg arr. by Willard A. Palmer, Morton Manus, and Amanda Vick Lethco
                            Comment Policy: Critical Comments: Anything goes! Strong honest feedback helps me.

                            Source of music: Alfred's Basic Adult All-in-One Course, Book 1
                            Instrument: Estonia Model L168
                            Recording method: The piano was tuned using the amazing Grand CyberHammer with the equally mind-blowing pianoscope app. Unfortunately, Seattle hit a cold spell, which impacted the humidity and my tuning a little. I used close miking with the Audix SCX25APS system mounted on the Mirizio Microphone Mount, feeding into a TASCAM Portacapture X8 portable recorder. iZotope RX 10 Standard was used to attenuate the sustain pedal thumps via De-plosive, the tracks were mixed with Audacity, and a touch of reverb was added with Logic Pro using Space Designer’s Piano Warmth preset. The video was created with various generations of Sony Alpha mirrorless cameras and Final Cut Pro.
                            Additional info: The original song itself is a relatively simple one, so I was surprised that I enjoyed learning the Alfred arrangement as much as I did. I realize the performance could have been better, but this was the best I could do in time for the recital. I snuck in a triplet in there for fun! 🎶

                            --
                            Beach L168, Wish, baCh, WOW Petrof, Fake Steinway, VS
                            TIME

                              Wooo hoooo!!! Congratulations everyone, this looks to be a fabulous recital!!! (also, congrats to me for sliding in just under the deadline. 🙂

                              And as always, THANK YOU @navindra -- for this recital of course, but also for this site!! <3 <3 <3 <3 <3

                              I'm looking forward to listening! 🙂

                                iternabe Nice job! A detail for watchers who may be playing the same piece - note that I've got him changing fingers on the repeated E's, first one is about 10 seconds in. Some of the chord fingerings are different than what is printed, too. Generally, we're working to help get familiarity with how the keyboard feels and to be able to move up and down it without tension. Go, Iternabe!

                                  • Kkeff

                                  • Post #31

                                  Rob Bravo. A gorgeous composition.

                                  • Rob likes this.

                                    rach3master Beautifully played on a gorgeous instrument. Lots of passion and intensity, and, yes, there will be, and are, extraneous noises that come with playing an acoustic piano. They are typically inaudible to a live audience even 6' away, but when we record, they make themselves known. I did like the spatial orientation of your recording, i.e., treble was coming at my right ear, bass at my left, just like when I sit at the piano. I'm interested in your recording technique and set-up. This is probably the wrong place to discuss. Could we do that in a private discussion? For here, I think people would find it useful to see where you placed your microphones and which ones were used where. Also, I can recommend a plug-in from Ozone, the "Spatializer" that I use to widen the sound stage. Used tastefully, I think it enhances the listening experience. Again, beautifully done.

                                      navindra

                                      Nice playing Navindra. Very smooth and melodic. The recording and the piano also sound great! You had me wondering about the "Grand CyberHammer". I always tuned my acoustic and wondered why no one had invented some kind of micro-electronic tuning hammer and thought maybe it had finally arrived! 🙂 I guess not yet. My technician used to tell me it was not possible. I suppose he is right but...still.