MRC
Well spotted!
Errors are bound to happen. After all I do it note for note in Inkscape with no sound feedback.
Copy paste, seems swaped both chords at the end of first bar (and pastetd the second chord in there) and typed the wrong letter in the second bar, in the second chord that is.
I hope it is all good now.
· also fixed the dash chord lines (on G renova intervals, first bar lower stave) I changed for previous discussion on crossing hand, so now "no crossing" leftover is present
MRC Note what WieWaldi says here:
356 356 356 358 356 356 356 358 356 356 356 358 356 356
it is so hard to detect the odd ones.
Bad example. Letters, not numbers! I think I mentioned that somewhere above earlier. Do not ever use numbers – unless only for interval structure but never for notes.
The correct example would be:
BDR BDR BDR BDF BDR BDR BDR BDF BDR BDR BDR BDF BDR BDR
(although repetitions should be short written anyway)
The idea is to write it without any prior knowledge required and usung only pencil and blank paper.
By the time you write the lines for the staff, with my system you will already be writing the notes in bar 3.
Please, let me see you writing this example with a pencil and paper by your hand using the "standard" notation!
- I know no one writes music with a pencil anymore or without a special score paper but… it is the general case here.
I would like to emphasise it really strongly:
The system is meant to serve as a Tablature for any instrument, where the player first learn the noteletters\noteheads for their specific instrument. Then play them as they are, without having to know anything prior or in advance such as key signature, transposition pitch of range of instrument.
Also, the typical learning process would have to include learning the map of your specific instrument at a glance.
If I show you a letter, you will have to point it (play it) in a heartbeat. Otherwise it won't work.
Then – intervals – as "words" and so on.
Another important concept is the renova separator note. You can call it root or key but it is important for the intervals to get read correctly. Not that it will break the playing. It is abvious that 1 up sounds much different than 11 down. In the werst case (mistake) it (the interval) will sound like an inversion, so will contain the same notes, albeit one will sound in an incorrect renova ("octave") so it can be corrected.
