@Stub excellent post!!!

I think the takeaway for me is to take a sort of middle pathā€¦ use the Gebrian techniques that work for me, and also be very clear on my goals for any given piece. For sightreading or 40P pieces, Iā€™m not going to need them to get all the way to 100%, and I really agree with what you said about 5 pieces at 80% vs. 1 piece at 100%.

But for pieces Iā€™m going to perform, then I will want to get those pieces polished to a much higher level.

And it makes sense to me to that not all pieces need to be polished to that level.

(As an aside, or notā€¦ my next concert will be in February so I need to choose which of my current pieces to play for that..)

keystring Meanwhile everything you wrote throughout is totally on point.

I agree!

keystring In any case this is not too OT, this is what I'm listening to right now (for the first time) and am mesmerized!

So am I. Thank you for that link Keystring! šŸ„°

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JB_PT It's basically right brain vs. left brain stuff, although I don't recall if that is explicitly stated. I am SO interested in that topic.

Pardon the interruption, but I was reading through this thread and came upon this comment, and would like to recommend a book I have called, "The New Drawing on the Right Side of the Brain" by Betty Edwards. Mine is a 1999 version. I haven't looked to see if she's done another update since that one. In any case, this book was, hands-down, instrumental in taking me from wishing I had the talent for drawing, to believing drawing was a learnable skill. Going through the book step by step, my drawings progressed from child-like to more realistic looking. So much better than I'd ever imagined was possible for me. As for the right and left sides of the brain aspect, Chapter 3 is Your Brain: The Right and Left of It, and Chapter 4 is Crossing Over: Experiencing the Shift from Left to Right. The idea of left brain, right brain is also discussed in the various drawing topics within the book.

"The Inner Game of Music" sounds like it would be an interesting read. I've added it to my Amazon shopping cart to look at later.

    Seeker If you send her my way I might be able to help her gratis on that section.

    That is so kind of you! šŸ˜

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    Kaydia "The New Drawing on the Right Side of the Brain" by Betty Edwards.

    I also have the old version of this book, and it also helped me a lot to learn to draw so much better.
    However, the science in this book is 26 years old, and a lot, a lot has happened since.
    Still, the way she teaches drawing was revolutionary then, and that still stands.

    The inner game of music was first published in 1986. So if there is any neuroscience in this, I wouldn't trust it. But, the ideas may still be profound!

    Molly's ideas resonate with my logical, systematic way of thinking. It would be refreshing to explore a book that speaks to my more musical and creative side! So thank you Kadya for inspiring me. šŸ˜Š

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      Animisha The inner game of music was first published in 1986. So if there is any neuroscience in this, I wouldn't trust it

      I am still getting into the re-read of this book, so maybe thereā€™s something about neuroscience in the Inner Game that Iā€™m not remembering, but my memory is that there isnā€™t any. The idea of the ā€œinner gameā€ is more about what you think about and how you think about it, how you have to focus as much on your inner game as on your ā€œouter gameā€ (i.e. technique and the physical aspects of playing).

      Animisha If what you enjoy is to have nice recordings of most of your pieces, then why wouldn't you do what makes you happy? It's a hobby, not a race after all.
      I only make nice recordings of a very small fraction of what I play and find more enjoyment in spending most of my practice time in the early stages of a piece where I feel the challenge and growth more. Only occasionally do I strive for a polished recording of a full piece. Honestly, I sometimes feel the opposite of what you express, that I might regret not keeping a recorded archive of more of what I've played for when I may no longer be able to play.

      Kaydia Pardon the interruption, but I was reading through this thread and came upon this comment, and would like to recommend a book I have called, "The New Drawing on the Right Side of the Brain"

      Thanks! I looked it up - there is a 2012 revision with updates on the neuroscience aspect. I have never been interested in drawing and this book is not included in Kindle Unlimited or I might review it...but I was planning on looking for other books on right brain vs. left brain so I appreciate the reminder!

        One of the books in my 'to be read' stack is "This Is Your Brain on Music". I did a quick check of the fly leaf and contents and didn't see any mention of right brain although the index has some page numbers listed for right hemisphere. What will interest me when I get around to reading the book is Chapter 7. - "What Makes a Musician?".

        @lilypad that reminds me! I bought that book but never read it, I really need to!

        Animisha You're welcome. And true enough about more advanced discoveries in the field. Even so, it still can work wonders, and surprisingly quickly. I plan on delving into more recent findings on the L & R brains.

        JB_PT You're welcome. Thanks for pointing out a newer addition. I may take a look at it to see what's been added and/or changed.

        I also have Molly Gebrian book. It is helping me a lot. Learning to play a musical instrument have many similarities with learning sports. Therefore science, and neuroscience particularly, can be very beneficial in the learning process. Also, it is a false dilemma to have to choose between tradition and neuroscience. I find it a fascinating topic that it is just starting, but as in sports, it will be developed over the years.