New Year, New Approach - 40 Pieces Challenge 2025

Nightowl Is anyone else up for this challenge?

I am thinking about this question for many months and still don't have a good answer. Currently, I am doing the Easy Blues Piano Course, and I have really no idea how to count a single lesson. Normally, a lesson contains several examples or licks. If I count it as a piece, I am never able to come close to 40, if I count every lick, I am above. But honestly, a single lick is way shorter than an entire piece and the number 40 wouldn't be a challenge anymore...

Anyway, I think I will join this 40-pieces club. But: If I do a real piece, I count the sections. And about lessons, I am grateful for ideas...

The 40 piece challenge is a great idea that's misunderstood by most people. I had participated in it for some time in PW and I can say it really did help with my reading and ability to learn pieces quickly.

Here are some points of clarification:

1. You're supposed to pick pieces that are way easier than your normal level. You should be able to read through the whole piece and be able to work through all of it in one sitting. That doesn't mean you get it perfect in one sitting but it should be manageable to get through the entire piece and make progress on every part of it every practice session.
2. It's supposed to take only a small part of your study time. Pick something that is so easy (see point 1) that you can learn it in 1-2 weeks max working on it 10-15 minutes a day.
3. It's not supposed to be perfect. The aim is to get a fairly musical performance and not worry much about note accuracy but be able to play the piece without stopping and without hesitations. It's a bit like the aim of sight reading except you have a week to work on it.

I don't really like the name "40 Piece Challenge" because it obligates you to a certain number. I think 40 is quite achievable if you follow the guielines above but I prefer a name like "Quick Study Challenge". I call these pieces "quick studies" - i.e. pieces that you study and learn quickly to get a musical impression without perfecting the details.

WieWaldi However, I strongly vote to count an advanced piece as more pieces with a simple rule: Each movement section/part/chorus/whatever counts as a single piece.

A piece is whatever the person learning it decides is a piece. If you want to study the first page or just the first phrase of a longer piece and call that a piece that's fine. If you want to study an 8 bar exercise and call that a piece that's fine too. Just remember the guidelines that I wrote in my post above.

BartK Just remember the guidelines that I wrote in my post above.

Shouldn't we together agree on the guidelines instead of following your guidelines? Especially Nightowl, who started this thread. Now if they agree with changing to "Quick Study Challenge", then it is fine, but in the article that Nightowl quotes, nothing is said about quick studies that only take a small part of your study time.

Animisha Shouldn't we together agree on the guidelines instead of following your guidelines? Especially Nightowl, who started this thread. Now if they agree with changing to "Quick Study Challenge", then it is fine, but in the article that Nightowl quotes, nothing is said about quick studies that only take a small part of your study time.

You do whatever you want, of course. I was just pointing out what has worked for me after doing this challenge for several years and I feel strongly that this is the essence of the challenge.

I cannot emphasize enough how powerful this method is for improving your speed of learning new music. I'll gladly participate next year and share my experiences if other people are interested.

ShiroKuro The kinds of pieces I regularly play are not suitable for this challenge (7 pages and more… 40 of those a year? Probably not!)

How about instead of pieces, we count pages? Maybe 80 pages a year?

iternabe Well. Let me try to phrase it. Some pages have more emtpy space than others. Christian's sheet music is a good example, how to waste space. Sometimes there is an entire page with only one line, and sometimes one line contains only one bar, and somtimes one bar has only one chord.
40 pieces is as concept a classic. And if someone only mangages to achieve 20 or 10, it is okay. But if someone is in the ballpark of about 80 pieces, the 40-pieces-a-year-police issues a speeding ticket.

Nightowl Is anyone else up for this challenge?

What a lovely idea Nightowl If I were still in Alfred one, I would have said yes quickly. But now that I'm approaching old age total beginner stage, I'm no longer sure I could.

Right now it takes me about a week to learn a piece, but then at least an additional week or two to get it to an acceptable level. Same with the blues course, I average about three weeks now to learn my lesson. Even combined that would not add up to 40 pieces a year.

This means I'm stretched a little thin already, so I don't think adding even an easy book according to Bart's bulleted list would be a good idea just yet

I did enjoy that thread on PW though, so I'm glad you started the challenge here too! I think I will pass this upcoming year, but next year... who knows

iternabe How about instead of pieces, we count pages? Maybe 80 pages a year?

I think this is fine, depending on what one's goal is. When I first tried the 40-piece challenge, my goal was to expose myself to as much new music as possible. And that will be my goal again this time.

If this is the goal, then counting pages, and letting different pages from a long piece count towards that page-count goal, would be in my opinion, not well-aligned with the goal. Because in the same piece, there are lots of repeating patterns, same and/or similar themes etc.

So for me anyway, I think it would be preferable to continue working on my regular pieces as usual, and have a different set of (easier) pieces to use for the 40-piece challenge. And the goal with those pieces would be to move through as much music as possible. Whereas the goal with my regular pieces will be to polish them to a performance and/or recording level.

Ok, now that I've said all that, let me go and read the article @Nightowl linked, and see if my memory of the whole thing is accurate enough.

WieWaldi if someone is in the ballpark of about 80 pieces, the 40-pieces-a-year-police issues a speeding ticket.

Nightowl Count me in!

But I would like to make sure that we are free to define by ourselves what we consider as “a piece” and to what degree the piece should be “learned”.

Like @ShiroKuro, I keep a piano journal where I put down what I have practised or played every day (as well as what I should be focusing on the next day or week), and it turns out that so far I’ve learned this year 22 pieces. But if I count also the exercises or short studies, there would be many more (around 50 I think). For those exercises I use the books from the “Fingerpower” series (these are one-page strictly technical exercises), or from the Polish collection of Studies for Piano ed. by S. Raube, or the books by Jakub Metelka (these are usually short, but often quite difficult, so they take me a bit longer to learn), as well as other short studies. As soon as I can play them as required (accurately, smoothly, with correct articulation, and more or less up to tempo) I consider them as learned. So if I can count at least some of them into the number of pieces I learn throughout the year, I will probably meet the challenge and be happy.

After all, if I understand it correctly, the rationale behind this challenge is to improve our skills by getting acquainted with a greater variety of music, and also become better at sight reading in the process?

iternabe Or, how about by time? Like, learn 60 minutes of music per year?

Personally, I think it's fine for people to tweak the challenge to suit their interests, abilities and individual goals. So, in that regard, this would be fine. But if your goal is to learn a lot about music, to become better at learning new pieces, and to get better at reading (and read-playing) widely across piano literature, then I think tweaking it in this way misses the point.

Because the point, as I understand it, is that in order to learn a lot about music, to become better at learning new pieces, and to get better at reading (and read-playing) widely across piano literature .... to do all these and do them better, the recommendation is to learn a large number of discrete pieces, different pieces. Because it is that activity specifically, moving through a lot of music, a lot of individual pieces, that is the key.

So if you set the goal at 60 minutes, and then learned 4 15-minute pieces, this would not be aligned with that goal.

BTW, in my day job, I'm an academic and in addition to the research that I do, I teach Japanese as a foreign language to undergrads and I teach graduate students about foreign language pedagogy.

A few years ago, the idea of "tadoku" got a lot of attention, and basically it means "read a lot." The idea was that Japanese language learners can benefit from reading a lot, and reading a lot more than most Japanese language teachers think they're capable of. Quantity over quality, and reading just below one's level.

The reasoning and the ideas behind tadoku are basically the same as those behind the 40-piece challenge.

Of course, the forty pieces can be both our regular pieces that we polish until our teachers are satisfied, plus a number of easier pieces. In that way, the endeavour would be to play more pieces than we would do without this challenge.

Now we are all different in all possible ways except for being committed to the piano. So if one of us plans to learn 40 regular pieces, the other one plans to learn 40 easy pieces, the next person does 80 pages, I think all of this should be fine. As long as the challenge helps us to practise more pieces than we would without the challenge.

But, if you feel unsatisfied with the music that you make, if you feel that you would like to spend more time on each piece to polish it, and to work on technique, then this challenge is probably not for you!

ShiroKuro Because the point, as I understand it, is that in order to learn a lot about music, to become better at learning new pieces, and to get better at reading (and read-playing) widely across piano literature .... to do all these and do them better, the recommendation is to learn a large number of discrete pieces, different pieces. Because it is that activity specifically, moving through a lot of music, a lot of individual pieces, that is the key.

Exactly. As much music as possible and as varied as possible - different composers, different styles, different moods, slow pieces, fast pieces, etc. The more variety the better.

Animisha the endeavour would be to play more pieces than we would do without this challenge.

Yes, to me, this is at the heart of the challenge.

And I believe that the last time I tried to do it, although I'm pretty sure I didn't get to 40, I did get to more than I would have otherwise, and that's why it was beneficial.

So as a starting point, my goal will be to push up the number of pieces I learn. Once I get started, then I'll see how it goes and whether it makes sense for me to put a numerical goal on it or not, etc.

To me, this challenge meshes nicely with the goal of increasing and improving one's sightreading as well.

This project needs a name PACT is already taken, but what about 40 Pieces of Silver? 40P Club? Piano Forte?

Oooh I hope not, because that would basically mean I'd be FORCED to join!

Pallas More Than Last Year: MOTLY.

I LOVE this.