Seeker True, but the details are important. For example, if one has fingerings in a score which is being as exported as XML, these are possible problems.

An important point. Since I barely started with Finale with only a superficial grasp of its workings, this did not concern me. I have no work saved. But I did take one of my teacher's simpler files which was set out for teaching beginners, converted it to XML in my Finale, saved it, and dragged that into Dorico and while everything was there, it looked different. I do know, from having read the literature, that there are default settings in Dorico - that you can make the Dorico settings the same as your Finale settings, which is supposed to make it look the same. But that is all theoretical. It seems a lot of work, and I don't know enough about either program.

    My first meanderings into Dorico.
    I do have some basic grasp of Finale, but could not just hop into Dorico and enter notation the same way. For example, stacking two or three notes on top of each other like a chord (or less) - the next note slid over into the next beat and my intended chord was a melody. 😃 There is a command for that kind of stacking. If you do want a chord, you click a chord icon.

    There is a long introductory writeup saying that the underlying philosophy or premise is different from other notation programs. I think they said it is with the working composer in mind. You start by entering "players" - if in an ensemble or whatever one of the players will play both flute and piccolo, those are the instruments for Player 1. After that you enter the instruments for that player. Then there is the idea of "streams". If I have a piece with three movements, each movement is a "stream" for the same work. Several pieces belonging together in a same suite or group of works, are each "streams". That's way past my needs.

    You don't have to specify how many measures - it generates the measures as you go along. You can omit putting in rests: it shows beats above your measure so you can just input the next note where you want it, and it inserts rests for you. I believe it also means that you can replace things anywhere without everything sliding over in a measure. The beats that it shows can be calibrated on the bottom - if you want to show only quarter note lengths, or smaller units.

    I found the first tutorials much easier to follow than those of Finale. In Finale, I vaguely remember that you were led through creating music step by step and that was supposed to teach you how things work. Here the first tutorial was on "inputting notes", one element at a time, and in the background there was a "scribble sheet" score for playing around with the ideas. I was able to try out each thing to make sure I understood how it worked. After the 2nd or 3rd tutorial, it seemed to jump things needed. The tutorials found on-line and via the site were handy.

    My biggest obstacle with Finale was figuring out how it worked. The tutorial style was not compatible with how I learn (or I was too dense. 😉 )

    a month later

    As a MuseScore user myself there is 1 feature that has not been perfected which is converting a PDF file full of notations back to a format that is readable by MuseScore.

    Many programs including Acrobat, web browsers, Adobe PhotoShop, MS Word, etc. can open a PDF like a picture file. There are programs that can convert the text in a PDF back to something that can be edited in MS Word. Converting a PDF to a MuseScore file can be tricky since the resolution of the content in a PDF file can vary. In most cases you're not going to get everything converted correctly so some editing afterwards is required.

      thepianoplayer416
      That's an extremely difficult trick to pull off if we're talking about any PDF of sheet music. So much variance in object design, from clefs to notes, etc.

        thepianoplayer416 Many programs including Acrobat, web browsers, Adobe PhotoShop, MS Word, etc. can open a PDF like a picture file. There are programs that can convert the text in a PDF back to something that can be edited in MS Word. Converting a PDF to a MuseScore file can be tricky since the resolution of the content in a PDF file can vary. In most cases you're not going to get everything converted correctly so some editing afterwards is required.

        I can't say anything about MuseScore since I transitioned to Dorico from Finale, and have gone much further already with Dorico than I ever had with Finale. There I've only read about importing via HML - haven't tried to go PDF => Dorico.

        But I do know about PDF => MS Word. I use this all the time, and it is not at all perfect. I work as a translator. Most material clients send me is in the form of PDF scans. I can convert these to MS Word and thus get a word count. When there are numbers, and especially codes like "743ABC1234567 224XY!Z" it is easier to copy and paste, and more accurate than writing it out. However (1) There will be errors. (2) Formatting can be wonky.

        In terms of errors, 8 often becomes B; zero can be the letter O, or the letter O can be rendered as a zero. A diacritic such as a French accent can show as what it is (select language before converting) or become something weird. It is far from perfect.

        I always create my own file with my own formatting, and copy and paste things like numbers and proper names over. If I try to write "on top of" the converted file, I can find some hidden formatting creating a mess. If the target language uses more words, suddenly you can't fit them into that space, and you'd need an IT degree to figure out what got formatted and how to undo it. Converting TO PDF is easy: converting FROM PDF has major hiccups.

        I can imagine, therefore, that conversion of PDF notation into MuseScore and other music programs might be at least as iffy. Converting from: easy peasy.

          a month later

          I wonder what it is about musical scores that makes them more difficult to ocr than ordinary text. I use tesseract regularly and it's the next best thing to a magic trick when you can take stuff as diverse as a grocery receipt, a page from a book, or a handwritten letter and get a text file that's usually pretty close if not perfect. But somehow music scores can't be done that way (yet).

          Maybe it's just a lack of interest/development in that field since there's are less use cases for music ocr than ocr for other text based stuff.

          --
          If you're a zombie and you know it, bite your friend!

          So far, software companies haven't decided to standardize a set of computer codes that can be converted into notations on a screen. When the Internet started, companies & programmers came up with a standardize set of HTML coddes. All Internet browsers can display the text & graphics based on the HTML codes in a similar way.

          Having music files saved to a standardize set of computer codes would make switching from 1 program to another less of a hassle.

            2 months later

            I ran into something yesterday that I think Finale would be able to handle. I wanted to show a redistribution of notes (for a thread I'm involved in here), and Dorico would not allow me to put F# 3 into the treble clef. The best I could manage was for the note to end up being beamed up from the bass clef. I ended up using pencil and paper.

            I also find voicing simpler in Finale.

              • MRC

              • Post #30

              keystring I ran into something yesterday that I think Finale would be able to handle. I wanted to show a redistribution of notes (for a thread I'm involved in here), and Dorico would not allow me to put F# 3 into the treble clef.

              What method of note input are you using?

              Dorico will certainly allow this: here's the measure in question done with Dorico:

                keystring I've just started playing around with Dorico. As a workaround, If you select (click) the F# on the bass clef, ALT+N should push it up into the treble clef. (ALT+M to drop from treble to bass clef if you need it).

                    a month later

                    diretonic I've just started playing around with Dorico. As a workaround, If you select (click) the F# on the bass clef, ALT+N should push it up into the treble clef. (ALT+M to drop from treble to bass clef if you need it).

                    I cannot believe I didn't respond to this. @diretonic - my thanks and my apologies for the late reply. A month later I ran into the same thing and that time did manage to flip to the stave I wanted. Yours looks exactly like what I was unable to do the day I asked the question, so clearly it can be done.

                    How are you finding Dorico so far? I'm assuming that you've been using up to now?

                    • MRC replied to this.

                        keystring Yours looks exactly like what I was unable to do the day I asked the question, so clearly it can be done.

                        You were replying to diretonic, but in fact I was the one who posted that example.

                        You can, as diretonic explains, push notes from one staff to the other, but you can also input low notes on the top staff directly, either with a MIDI keyboard, or with the letter keys on the computer keyboard. With the computer keyboard, using a letter key alone will input a note higher than the cursor, but if you first hold down CTRL (Mac) or CTRL+ALT (Windows) before typing the letter, you will get notes lower than the cursor.

                            MRC You were replying to diretonic, but in fact I was the one who posted that example.

                            You are so right - oops - I should know better than to post without checking. That is excellent additional advice. Thank you.