Ok, Balestrand is under my fingers with pedal and sounds halfway decent. I still have some polishing to do in the last 2 lines (those longer spaces between LH/RH notes need ironed out some more) but it's not heading for the dust bin at this point.

Maybe a few more days to a week to get it polished and uploaded.

I really want to play this on the baby grand I discovered in the entry lounge at the local hospital. It would sound awesome in that space. I need to check and see if they'll let me and test to see if I can play the piano. It seems I prefer a very light action to play my best.

    Player1 I really want to play this on the baby grand I discovered in the entry lounge at the local hospital. It would sound awesome in that space. I need to check and see if they'll let me and test to see if I can play the piano.

    and also see if they'll let you take a video!

    I'm looking forward to hearing you play!

        Working on "Theme from Don Giovanni (Là ci darem la mano)" in the Faber Classics book. I love how learning these pieces make me look for the original performance - often a delightful find. Here, a lovely duet by Luciano Pavarotti and Sheryl Crow.

        rogerch

        There are a couple of things I'll have to have ready to go before I can even ask. One is absolutely knowing the piece I want to play. Another is having a backup piece to play to an acceptable level. I'll also need a "camera man" for action shots while I'm playing rather than just a static recording.

        Once I have those ducks lined up, I can ask about playing on their piano. Hopefully it's available for anyone to use at any time.

          I have a video. No you can't see it. I don't even want to look at it except to analyze where the problems are. And there are lots and lots of problems. The biggest of which are uncontrolled harsh notes and those extra bits of time between notes that I mentioned earlier. Right now I'm running about 25-30 seconds slow so the tempo is off a little bit too.

          But, I have a video so that means I'm making progress.

          I have a doctor appointment this afternoon and then I have to go do some grocery shopping. The grocery store is near the hospital where that baby grand is sitting in its alcove so I might stop in for a quick conversation about playing it. Unless I chicken out because it really is too soon to be asking.

          Well, I didn't chicken out so I stopped by and asked about playing the piano at the hospital.

          No dice unless you're a hospital employee. They told me the piano used to play by itself (pianoteq I assume because it's a newer piano) but that failed during a power outage 6 or 7 years ago and no one has played it since. I suspect it's not been tuned in that time either.

          The hunt for a public piano to play continues!

          Oh, and I have a better recording of Balestrand that shaves 15 seconds off the time from the last one. Still some issues, but I'll get there.

          I'm working on a couple of piano pieces by Rossini (and they do share many of the characteristics of his operas, notably the humor) from his large collection from about 1860, "Sins of my Old Age".
          If I can get them sounding presentable, I'll record them and link them here.

          TheBoringPianist The Scriabin Fantaisie is finally starting to come together 😔 still not up to speed and very prone to stops and starts but I feel like the technical challenges no longer seem insurmountable.

          In the meantime, am working through some other small pieces:

          • Lili Boulanger - D'un vieux jardin
          • Lili Boulanger - D'un jardin clair
          • Messiaen - Prélude pour piano (1964)
          • Takashi Yoshimatsu - Piano Folio...to a Disappeared Pleiad (heard Tomoharu Ushida play it at the Leeds)

          "You're a smart kid. But your playing is terribly dull."

              @TheBoringPianist
              The Messiaen Prélude - that's the fanfare-like short piece? I remember being surprised at how succinct its form is, certainly compared to the sprawling, to me disorienting nature of so many of his later works.

                TheBoringPianist I'm not sure if I've heard of Lili Boulanger before now. I just added D'un jardin clair to my way in the future section of my bucket list. Luckily I have lots of nice sounding grade 3, 4, 5, 6 & 7 pieces to enjoy on the way there.

                    lilypad I'm not sure if I've heard of Lili Boulanger before now.

                    She was a true genius. Unfortunately, she died at only 24 but had already achieved a lot by then. Had she not died so young I'm sure she could have been one of the most influential composers of the 20th century.

                        pseudonym58 The Messiaen Prélude - that's the fanfare-like short piece? I remember being surprised at how succinct its form is, certainly compared to the sprawling, to me disorienting nature of so many of his later works.

                        yup! I have a really hard time learning this kind of music, but I figured I should challenge myself, and it's a fun sounding piece!

                        "You're a smart kid. But your playing is terribly dull."

                          BartK Agreed, she could have definitely been mentioned along with Stravinsky or Poulenc had she lived longer. I don't like her piano pieces but her orchestral writing is exceptional.

                            BartK Just from the two pieces I listened to, she reminds me of the impressionist composers.

                              Recently an early Mozart piece came up duing my piano lesson.

                              The last piece recorded was a version of "Happy Birthday" in F for somebody's special day in October. We all sing the song a dozen times a year. When playing it on piano, every rendition of the song is supposed to be different & original... even if you're following the sheet music you'd add in embellishments the last minute to sound improvised.

                                thepianoplayer416 The last piece recorded was a version of "Happy Birthday" in F for somebody's special day in October. We all sing the song a dozen times a year. When playing it on piano, every rendition of the song is supposed to be different & original... even if you're following the sheet music you'd add in embellishments the last minute to sound improvised.

                                I recently watched a YouTube video listing "Happy Birthday" as the 6th piece in "6 Famous & Essential Pieces Every Pianist Should Learn".

                                  My latest batch -

                                  New pieces:
                                  Quick study - Jeremiah Clarke "King William's March" - I thought I'd knock this one out in 2 days max, but it's been giving me fits.
                                  Piano Adventures lesson piece - Clementi Sonatina, Op. 36, No. 1, 3rd movement.
                                  Heller - Study in E minor, Op. 47 No. 5

                                  Relearning:
                                  Vince Guaraldi's "Great Pumpkin Waltz"

                                  Still working on:
                                  Michael Giacchino's "Married Life"
                                  Arthur Herzog Jr. & Billie Holliday "God Bless the Child" (relearning)

                                  Pallas I get to study the first piece in Schumann's Album for the Young - Melody. This will be my first bucket list item, and I'm thrilled.

                                  I think it's really great to have bucket list pieces at all levels. Mine used to be all grade 8's and it was very discouraging, like I'd never get there. Now I have probably a dozen for each grade. I'm trying to go through a grade a year with a variety of pieces similar to yours.

                                    Pallas
                                    That's a great achievement! The first "real" pieces are always a big milestone.

                                    Schumann is a very good choice for pedagogical purposes. He is a romantic composer and uses the musical language of that era but his writing often has multiple layers and interconnected themes. It's great for developing both musicality and technical skills. Besides, these are pieces you can always go back to and discover new things or new ways to look at the music as you improve.

                                    Satie isn't really that hard. I wondered myself why those pieces are so high in the syllabus and I think it might be because of the large chords that might be too challenging for small children in the lower grades. For an adult they are technically easy and musically also not too challenging. I played Gnossienne 1 in my first year and Gymnopedie 1 in my second year.

                                      6 days later

                                      Working on the last piece in Faber Classics Book 1. This beautiful aria by Giacomo Puccini 💘