thepianoplayer416
What I observed about the Boston UP-132PE and other Boston uprights is that they seem to get less prep at the factory than the Kawai K series uprights. As a result, whether any, and how much prep was done by the Steinway dealer where one is being marketed has a significant impact on the tone, particularly on octave 5 sustain.
The K-800AS (K-800 + sostenuto pedal) is the only K-800 model marketed in the US. The K-600 (K-800 without sostenuto or grand style fallboard and music desk) is available in the US. The MS-134 also lacks the grand style fallboard and music desk.
It appears that the new MS series uprights have the same Millenium III upright action as the K series uprights, but the hammers are upgraded. The K-800 uses felt on which Kawai has slapped the Royal George label. The MS series apparently uses Shigeru style hammers. The keystick length of the shorter 48” model, MS-123 seems to match that of the MS-130 and K-500. I don’t know if the K-800 and MS-134 have an even longer keystick, but they have an additional inch of depth.
As best I can tell, the K-800 has hammers that are machine pressed with concert-grade felt, while the M series and Shigeru’s have hammers that are handmade with concert-grade felt.
The MS-134 is 48kgs heavier than the K-800. The sostenuto and mute rail lever of the K-800AS adds some weight, but the MS-134 will still be much heavier. I assume this mostly is due to the more reinforced case. Other differences include a re-designed pressure bar and hand wound bass strings on the MS-134. The strings may be installed by hand on the MS series vs. by machine on the K series.
I agree re: the excellent sustain and resonance of the K-800. It also has a neutral tone— different from the warm tone of the K-500.