twocats you use movement to roll the chord. It's perfectly acceptable in Romantic music to roll chords whenever they're too big for comfort
Yes, I know, I roll chords sometimes in contemporary pieces I play. But I still worry about a piece requires too much "stretch," and when you're rolling, you're stretching. Btw I like @keystring 's use of "sweep" too, a fluid sweep across the keys into those notes is gentle, but unless you're playing "plunk plunk" style, there's always a stretch involved to some extent.
Maybe it's because I don't have the best technique, but there have been pieces I've put aside because I could feel that if I continued to work on them, my tendon would be unhappy. And I do mean arppegiated chords here, not block chords. I don't even think it's only the stretch itself (by which I mean how far the notes away from each other on the keyboard)... it's not just the stretch from one note to the next, as much as the total musical context.
I'm not at home right now (I'm in my office, supposedly grading... 😅 ) so I don't have a way to look through old scores to find an example....
Anyway, in the past I've thought that working with a special instructor (Alexander? Feldenkrais?) might help, but in the meantime, without access to that kind of person, I generally just move on if I think a piece is "tendon dangerous" for me.
Watching Rousseau (I think that's the name?? the YTer) playing Arabesque made me wonder about that and I haven't tried any of the passages at the piano yet, so I don't know.
Speaking of teachers, my last teacher was great but he had huge hands and I didn't see him as a resource for tendon-safety.