Animisha almost always I contest the copyright claim
I didn’t see a way to contest it. Of course, it wasn’t telling me I couldn’t upload the video, just that the content was copyrighted and the owner allows sharing.
From what I googled, it does appear to be connected to ads, any money generated is supposed to go to the copyright owner.
The interesting thing about that is, unlike a lot of contemporary pieces I play (e.g., Einaudi, Ffrench, Hisaishi) music by Takashi Kako, this composer, is harder to find online, and there are fewer recordings of other people playing him.
If you search for pieces by those guys (Einaudi, Ffrench, Hisaishi) you will find tons of amateur recordings.
I always though it was because Kako’s music was less well known (and he has fewer books than the others, and I think he’s really know known outside of Japan). But maybe it also is because he tries to keep a tighter leash on his compositions… But I have to think that, if nothing else, that’s hurting him rather than helping, when I look at how popular those other composers are. Or maybe the reverse, the other guys are so popular that they don’t need to impose so many restrictions?
Just thinking out loud here...
Imagine if the big classical composers were alive now (Bach, Beethoven, Mozart, Chopin, Liszt). I bet they each would have very different approaches …. For starters, Liszt would definitely be a Tik Tok influencer. 😆