As promised in a recent post of mine in this thread, I would include my thoughts for the submissions that specifically stated in their comment policy, for constructive criticism [thus I omitted the ones that didn't specifically say so]. I'll preface by saying I was very impressed by this recital, so it's no surprise there's an overwhelming amount of kudos!
If I missed anyone (for constructive comments), let me know and I'll provide you my feedback as well!
iternabe — O mio babbino caro
Very impressive for learning for only 10 months. The mechanics are solid and on a good trajectory. One area to consider is adding some slight tweaks in the rhythm. I think you aimed for that here, so keep that going!
plop_symphony — The Midnight Ball
Nice work especially with your dexterity. I noticed your posture seems a bit slouched. Hard to tell exactly, but I usually see folks leaning in more, versus back. While it's not entirely relevant to your performance, it's something to call out (in case there's more comfortable position! 😀)
WieWaldi — Quick Five Blues
There's a lot of soul in your playing. If you're comfortable, consider speeding up the playing, as that can add more fun and pizzazz!
Sophia — A Classy Rag
Good "communication" between your left and right hand! I think the left hand can be slightly softer/quieter, but otherwise, there seems to be a nice dynamic between the two. Reminds me of when people have good "conversations" between their LH and RH with Bach pieces.
Rubens — Sonata no.2, Op.36 (1913), 2nd movement
Nice playing, and you make that ES920 sound amazing. I'm struggling to think of any critical comment... maybe could add a very slight more reverb, as your playing is so full (in a good way), that allowing some of that richness to extend moreso can give it even more effect, for this very emotive piece.
Cratersmash — Sonata No. 3 in A Minor
Impressive playing. I don't know Prokofiev music much, though one suggestion I have is, the first chords you play can be slightly softer, as it sounds like it's pushing the volume to the max of the speakers. If this were recorded with an acoustic, my suggestion might be moot.
TC3 — Worried Life Blues
Bravo with this duet of piano and vocal. I think your vocal can add some reverb, so it'll distinguish itself from the piano tones. And feel free to scream/shout more in certain parts. This song seems to be suitable for that!
@SalmonJack — Bliss Ten
Very enjoyable, your composition. I recommend to hold certain chords longer, to let the effect last longer, e.g., at the 7:00'ish mark. Also, the boat ride is fun, just keep in mind for those who might have motion sickness watching it 🙂
@rsl12 — I am the very model of a modern Major-General
Splendid work on this. Your technique is quite solid. Feel free to add more silliness in the voice, which currently is great accompaniment, though you appear more relaxed with the hands and keys.
@navindra — The Entertainer
Nice work here. As you wanted feedback about the tuning and sound of the piano, I thought the tuning was fine, though the high C you were playing has that harsh brassy tone everytime it's being played. Perhaps some voicing on that string?
Overall, I greatly enjoyed all the submissions! And it was hard to find much to critique about, so some of the nitpicky stuff I mention above is my best effort to provide something, anything 🙂
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