rsl12 I somehow missed this comment, and Iโm glad you enjoyed the video! This was a piece that I chose because I had heard recordings of it and it really spoke to me. I had listened to the piece many times before starting to work on it, and maybe because of this, I felt that the rhythm was fairly intuitive. There were some real choices to make, though. The big one was how to deal with the Left Hand pattern, which is not quite an Alberti bass, but close. There are a few possibilities of what to emphasize. Itโs not marked in the score, and in different recordings, I heard performers make different choices. To be very honest, I didnโt think about this when I started working on the piece. The huge hurdle with the LH is that the piece is fast! And the LH never stops moving, and in a pretty repetitive way. So managing it without getting fatigued was the real focal point of my early efforts. I had just started with my current teacher, whoโs a Taubman person. It took some time to work out how to play the LH in a way that it felt like I could go on and on forever and at speed, but once I did, I also realized that I had a lot more freedom to make choices about what I wanted to emphasize (as opposed to just managing to play it). I experimented with different options. I liked the 3rd/1st beat accents โ this seemed to add to the driving/propulsive feel of the piece, so itโs what I settled on.
The coordinated/syncopated leaps in the middle of the piece were another big challenge, but this was just a few measures, so in some ways a more limited problem.