The topic of flow states came up in Dr. Molly Gebrianās Q&A session, so Iāve been thinking sit it a bit more lately, and then last week and this weeks, flow states has been the topic of Noa Kageyamaās email newsletter. (I donāt know if itās possible to link to his newsletter, since itās emailed, but if youāre not familiar with him, hereās his site: https://bulletproofmusician.com/ )
Anyway, itās interesting to think about, so I thought Iād post about itā¦.
One thing thatās interesting is how to describe āflow state,ā or ābeing in the zone.ā Iām sure there are other definitions, but Noa Kageyama tied a research study (of guitarists), in that study flow state was described like this:
One - the performer has to have some level of proficiency on the task at hand. Because itās hard to get into flow states if youāre in the early stages of learning a skill and still doing lots of thinking.
Two - when the performer has reached a certain level, they have to ālet goā or stop micromanaging and overthinking the minutiae of the skill.
I highlighted āmicromanagingā because Iād never thought about that before, but micromanaging seems to be the best way to describe attention that would impede a flow state. And of course, if you canāt play something without micromanaging the details, youāre not ready for a flow state.
At the same time, I think awareness and feeling are key to being in a flow state, so I wonder if itās possible to get into a flow state even with a piece that weāre not done working throughā¦
Which brings up the question (again) of how we define flow state and how it differs from just intensely concentrating or being able to focus and keep distractions out of your mindā¦
I donāt have strong opinions about that last point, but Iām curious about what other people think. Especially @ranjit since I know heās interested in this.